Connect With Us

“Project Censored interrogates the present in the same way that Oliver Stone and I tried to interrogate the past in our Untold History of the United States. It not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. Project Censored provides the kind of fearless and honest journalism we so desperately need in these dangerous times.” —Peter Kuznick, professor of history, American University, and coauthor, with Oliver Stone, of The Untold History of the United States
“Hot news, cold truths, utterly uncensored.” —Greg Palast
“For ages, I’ve dreamed of a United States where Project Censored isn’t necessary, where these crucial stories and defining issues are on the front page of the New York Times, the cover of Time, and in heavy rotation on CNN. That world still doesn’t exist, but we always have Project Censored’s yearly book to pull together the most important things the corporate media ignored, missed, or botched.” –Russ Kick, author of You Are Being Lied To, Everything You Know Is Wrong, and the New York Times bestselling series The Graphic Canon.
“[Censored] should be affixed to the bulletin boards in every newsroom in America. And, perhaps read aloud to a few publishers and television executives.” —Ralph Nader
“[Censored] offers devastating evidence of the dumbing-down of main-stream news in America. . . . Required reading for broadcasters, journalists, and well-informed citizens.” —Los Angeles Times
“Project Censored is one of the organizations that we should listen to, to be assured that our newspapers and our broadcasting outlets are practicing thorough and ethical journalism.” —Walter Cronkite
“At a time when the need for independent journalism and for media outlets unaffiliated with and untainted by the government and corporate sponsors is greater than ever, Project Censored has created a context for reporting the complete truths in all matters that matter. . . . It is therefore left to us to find sources for information we can trust. . . . It is in this task that we are fortunate to have an ally like Project Cen-sored.” —Dahr Jamail
“In another home run for Project Censored, Censored 2013 shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah-ha’ moments where we understand just how we’ve been fleeced by banksters, stripped of our civil liberties, and blindly led down a path of never-ending war.” –Medea Benjamin, author of Drone Warfare, cofounder of Global Exchange and CODEPINK.
“Project Censored brings to light some of the most important stories of the year that you never saw or heard about. This is your chance to find out what got buried.” –Diane Ravitch, author of The Death and Life of the Great American School System.
“The staff of Project Censored presents their annual compilation of the previous year’s 25 stories most overlooked by the mainstream media along with essays about censorship and its consequences. The stories include an 813% rise in hate and anti-government groups since 2008, human rights violations by the US Border Patrol, and Israeli doctors injecting Ethiopian immigrants with birth control without their consent. Other stories focus on the environment, like the effects of fracking and Monsantos GMO seeds. The writers point out misinformation and outright deception in the media, including CNN relegating factual accounts to the “opinion” section and the whitewashing of Margaret Thatcher’s career following her death in 2013, unlike Hugo Chavez, who was routinely disparaged in the coverage following his death. One essay deals with the proliferation of “Junk Food News,” in which “CNN and Fox News devoted more time to ‘Gangnam Style’ than the renewal of Uganda’s ‘Kill the Gays’ law.” Another explains common media manipulation tactics and outlines practices to becoming a more engaged, free-thinking news consumer or even citizen journalist. Rob Williams remarks on Hollywood’s “deep and abiding role as a popular propaganda provider” via Argo and Zero Dark Thirty. An expose on working conditions in Chinese Apple factories is brutal yet essential reading. This book is evident of Project Censored’s profoundly important work in educating readers on current events and the skills needed to be a critical thinker.” -Publisher’s Weekly said about Censored 2014 (Oct.)
“Activist groups like Project Censored . . . are helping to build the media democracy movement. We have to challenge the powers that be and rebuild media from the bottom up.” —Amy Goodman
“Censored 2014 is a clarion call for truth telling. Not only does this volume highlight fearless speech in fateful times, it connect the dots between the key issues we face, lauds our whistleblowers and amplifies their voices, and shines light in the dark places of our government that most need exposure.” –Daniel Ellsberg, The Pentagon Papers
“One of the most significant media research projects in the country.” —I. F. Stone
“Project Censored continues to be an invaluable resource in exposing and highlighting shocking stories that are routinely minimized or ignored by the corporate media. The vital nature of this work is underscored by this year’s NSA leaks. The world needs more brave whistle blowers and independent journalists in the service of reclaiming democracy and challenging the abuse of power. Project Censored stands out for its commitment to such work.” —Deepa Kumar, author of Islamophobia and the Politics of Empire and associate professor of Media Studies and Middle Eastern Studies at Rutgers University
“Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans–now more than ever–need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays, and/or distorts. This latest book is therefore a must read for anyone who cares about this country, its tottering economy, and–most important– what’s now left of its democracy.” –Mark Crispin Miller, author, professor of media ecology, New York University.
“Project Censored shines a spotlight on news that an informed public must have . . . a vital contribution to our democratic process.” —Rhoda H. Karpatkin, president, Consumer’s Union
“Those who read and support Project Censored are in the know.” —Cynthia McKinney
Buy it, read it, act on it. Our future depends on the knowledge this col-lection of suppressed stories allows us.” —San Diego Review

5. U.S. Pushes Nuclear Pact But Spends Billions To Add Bang To Nukes

SOURCES: WASHINGTON POST, 5/1/95, “US Seeks Arms Ingredient As It Pushes Nuclear Pact,” and 5/28/95, “House Bill Would Order Nuclear Reactor As New Source of Tritium;” Author: Thomas W. Lippman.

SYNOPSIS: Even as the United States urges the rest of the world to indefinitely extend a treaty requiring signatories to work toward elimination of nuclear weapons, the US Department of Energy is planning a multibillion-dollar project to resume production of tritium-a radioactive gas used to enhance the explosive power of nuclear warheads.

Apparently the only decision not yet made as the year drew to a close was what kind of facility the department plans to build and where it plans to build it.

The choice is between a huge particle accelerator, using theoretically workable but untested technology, and a nuclear reactor, which would be the first reactor ordered in the US since the 1979 Three Mile Island nuclear accident.

Either choice involves immense political, financial, environmental and national security risks, yet the American public is little aware of the enormity of the decision to be made.

Many officials in the Clinton administration are averse to nuclear power and do not want the federal government to sponsor construction of a reactor. But many career staff members in the Energy Department and the Pentagon have long supported the nuclear industry and favor the reactor method of producing the tritium needed for the weapons program.

While Energy Secretary Hazel O’Leary has pledged to begin work on a new facility to produce tritium in the next fiscal budget, she has been under intense congressional pressure to choose the reactor option and to build it at the Energy Department’s Savannah River, S.C., weapons plant where all of the tritium for the nation’s nuclear arsenal has been produced.

O’Leary’s choice appears to be between investing billions of federal dollars in a particle accelerator or accepting a proposal from a nuclear industry consortium to use mostly private funds to construct a reactor.

In late May, the Washington Post reported that the House committee had approved legislation requiring the Energy Department to begin development next year of a nuclear reactor that would produce tritium for the nation’s nuclear warheads, generate electricity, and burn plutonium as fuel. Meanwhile the National Security Committee tacked the provision onto the defense authorization bill.

While the bureaucrats’ and politicians’ argument has been limited to two choices—either the accelerator or the nuclear reactor—the American public deserves to be made aware of the issues surrounding this critical decision.

Further, the public should be made aware that there is a third option: not to produce the tritium needed to add more bang to America’s nuclear warheads.

SSU Censored Researcher: Tina Duccini

COMMENTS: Author Thomas Lippman said the nuclear issue did not receive sufficient coverage by the mass media but wondered, “What would you expect? It is a complex, somewhat arcane subject.” Nonetheless, he continued, “The public should be aware that while the Cold War is over, the arms race isn’t. The public should realize that billions of dollars are spent creating and marketing nuclear weapons.” Lippman added he’ll “leave it up to the public whether that’s a good idea or not.”

Lippman suggests the “lack of coverage results from the difficulty of the subject matter and a lack of sex appeal. No one was covering up or suppressing this information.” Lippman said the published articles resulted from: 1) his former experience in covering the Energy Department, including the nuclear weapons plants and labs, and his current experience in covering the State Department and foreign policy, which give him sources in nonproliferation and nuclear communities; and 2) the “willingness of the Washington Post to give news space to difficult complex subjects.”

Project Censored 2014
Receive a Free Project Censored "Top 25 Censored Stories" Book For Being a Member
Become a $5 monthly subscriber to Project Censored and as long as you are a member, every year we will send you the newest Project Censored Top 25 Most Censored Stories of the Year book. You can choose paperback or e-book, you can cancel your monthly support at any time, and your support is tax deductible. 

Book, button, 3@2x